http://www.jesus-is-savior.com/Evils in America/Rock-n-Roll/rock_curse.htm
Satan’s influence on musicians -
ANGUS YOUNG, lead guitarist for AC-DC, is called the “guitar demonâ€; and he admitted that something takes control of the band during their concerts: “...it’s like I’m on automatic pilot. By the time we’re halfway through the first number someone else is steering me. I’m just along for the ride. I become possessed when I get on stage†(Hit Parader, July 1985, p. 60).
“I was directed and commanded by another power. The power of darkness ... that a lot of people don’t believe exists. The power of the Devil. Satan†(LITTLE RICHARD, cited by Charles White, The Life and Times of Little Richard, p. 206).
“You can’t describe it [playing rock music] except to say it’s like a mysterious energy that comes from the metaphysical plane and into my body. It’s almost like being a medium....†(Marc Storace, vocalist with heavy-metal band KROKUS, Circus, January 31, 1984, p. 70).
“[Of his music JOHN LENNON said] “It’s like being possessed: like a psychic or a medium†(The Playboy Interviews, p. 203).
Jimmy Hendrix once said, "I can explain everything better through music. YOU HYPNOTIZE PEOPLE... And when you get people at their weakest point you can preach into the subconscious what we want to say. That's why the name "electric church' flashes in and out."
“It’s amazing that it [the tune to ‘In My Life’] just came to me in a dream. That’s why I don’t profess to know anything. I think music is very mystical†(John Lennon, “The Beatles Come Together,†Reader’s Digest, March 2001).
“I felt like a hollow temple filled with many spirits, each one passing through me, each inhabiting me for a little time and then leaving to be replaced by another†(John Lennon, People, Aug. 22, 1988, p. 70).
“The music to ‘Yesterday’ came in a dream. The tune just came complete. You have to believe in magic. I can’t read or write music†(PAUL MCCARTNEY, interview on Larry King Live, CNN, June 12, 2001).
“Rock has always been the devil’s music, you can’t convince me that it isn’t. I honestly believe everything I’ve said—I believe rock and roll is dangerous. … I feel that we’re only heralding something even darker than ourselves†(DAVID BOWIE, Rolling Stone, February 12, 1976, p. 83).
“In the end you have to look at a song and not know exactly where it came from†(BRUCE SPRINGSTEIN, Dateline, Dec. 14, 1998).
“That certain feeling happened to me in a big way quite often with the first King Crimson. Amazing things would happen--I mean, telepathy, qualities of energy, things that I had never experienced before with music … you can’t tell whether the music is playing the musician or the musician is playing the music†(Robert Fripp, guitarist for KING CRIMSON, Down Beat, June 1985, p. 61).
John McLaughlin, leader of MAHAVISHNU ORCHESTRA, testified: “One night we were playing and suddenly the spirit entered into me, and I was playing, but it was no longer me playing†(The Rock Report, p. 58).
Glen Tipton of JUDAS PRIEST says, “I just go crazy when I go onstage … it’s like someone else takes over my body†(Hit Parader, Fall 1984, p. 6).
In 1974, JONI MITCHELL told the press of a male spirit who helps her write music. “Joni Mitchell credits her creative powers to a ‘male muse’ she identifies as Art. He has taken so much control of not only her music, but her life, that she feels married to him, and often roams naked with him on her 40-acre estate. His hold over her is so strong that she will excuse herself from parties and forsake lovers whenever he ‘calls’†(Why Knock Rock? p. 112, citing Time magazine, Dec. 16, 1974, p. 39).
“I wake up from dreams and go ‘Wow, put this down on paper,’ the whole thing is strange. You hear the words, everything is right there in front of your face. I feel that somewhere, someplace it’s been done and I’m just a courier bringing it into the world†(MICHAEL JACKSON, Rolling Stone, Feb. 17, 1983).
“When I hit the stage it’s all of a sudden a ‘magic’ from somewhere that comes and the spirit just hits you, and you just lose control of yourself†(Michael Jackson, Teen Beat: A Tribute to Michael Jackson, Summer 1984, p. 27).
“The sexuality of music is usually referred to in terms of rhythm, it is the beat that commands a directly physical response. Music with the heavy, hard beat got the name "Rock and Roll" when a disc jockey coined the term from sex in the back seat of a car. The rock beat is Satan's sound of lawlessness. The rock beat is musical perversion. Every knowledgeable musician knows that the term "rock" really means a shameful act of lust. But that is not the only problem! The beat of rock is nothing new. Pagan, animistic tribes had the "rock beat" long before it came to America. They use the driving beat to get "high" and bring them into an altered state of consciousness. Traditional drumming and dancing techniques are designed to achieve the Shamanic State of Consciousness. You see, the beat is a vehicle for demon infestation.â€
http://www.goodfight.org/exposelist.htmL